Order Of Disney Princess Movies

Waren Burn

3 min read

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28-11-2024

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For many, Disney Princess films are more than just movies; they're a significant part of childhood memories and cultural touchstones. But with so many films in the franchise, it can be tricky to keep track of their release order and chronological order within the narrative. This guide aims to clarify both.

By Release Date

This is the order in which the Disney Princess films were originally released in theaters:

1. Snow White and the Seven Dwarfs (1937): The very first Disney animated feature film, launching the entire Disney Princess phenomenon.
2. Cinderella (1950): A classic tale of perseverance and finding your prince.
3. Sleeping Beauty (1959): A visually stunning film featuring one of Disney's most iconic villains, Maleficent.
4. The Little Mermaid (1989): The film credited with revitalizing Disney's animation, introducing a new generation to the Disney Princess world.
5. Beauty and the Beast (1991): The first animated film nominated for the Best Picture Academy Award.
6. Aladdin (1992): A magical adventure with a charming thief and a spirited princess. While Jasmine is a Disney Princess, Aladdin himself is often included in discussions surrounding the franchise.
7. Pocahontas (1995): A historically-inspired film that touches upon themes of environmentalism and cultural understanding. It's important to note that Pocahontas's story is a vastly romanticized version of the real historical figure.
8. Mulan (1998): A powerful story of a young woman who disguises herself as a man to fight for her family and country.
9. The Princess and the Frog (2009): A return to traditional animation, set in New Orleans.
10. Tangled (2010): A modern take on the classic Rapunzel fairytale, known for its stunning animation and humor.
11. Brave (2012): The first Disney/Pixar film to feature a leading female character, Merida. A departure from the traditional princess narrative.
12. Frozen (2013): A global phenomenon that redefined the modern Disney Princess movie with its catchy songs and empowering storyline.
13. Moana (2016): A Polynesian-inspired film featuring a strong, independent female lead. Often considered part of the Disney Princess lineage, despite not always officially included in the marketing.
14. Raya and the Last Dragon (2021): Although not traditionally marketed as a Disney Princess film, Raya is a strong, independent female lead in a Disney movie and is often included in the wider conversation surrounding Disney's female protagonists.

By Chronological Order (Approximate)

Determining the precise chronological order of the Disney Princess movies is difficult because many stories are set in vague, unspecified time periods. However, a general chronological order based on historical context and hints within the films might look something like this:

1. Snow White and the Seven Dwarfs (Medieval Era)
2. Sleeping Beauty (Medieval Era)
3. Cinderella (Medieval Era)
4. Pocahontas (17th Century)
5. Mulan (Ancient China)
6. The Little Mermaid (Unspecified, possibly late 19th or early 20th century)
7. Beauty and the Beast (Unspecified, potentially inspired by the French Enlightenment)
8. Aladdin (Unspecified, possibly Middle Eastern setting with vague historical markers)
9. The Princess and the Frog (Early 20th Century)
10. Tangled (Unspecified but potentially set in a fictional Medieval-esque world.)
11. Brave (Unspecified, but plausibly set in a less technologically advanced time period.)
12. Frozen (Unspecified, but could be considered a modern setting with magical elements.)
13. Moana (Unspecified, but inspired by Polynesian history.)
14. Raya and the Last Dragon (Unspecified, but likely a fictionalized Asian-inspired world.)

This list represents an interpretation and is not definitively confirmed by Disney. The chronological order is largely based on inferred historical periods and storytelling cues within each film. The actual time periods are often vague or intentionally left undefined within the films themselves. This list serves as a useful approximation but is open to discussion and individual interpretations.